Episode 22: Author Carrie White: Manipulative Music in Movies

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Author Carrie White has been called “the first lady of hairdressing” and for good reason: she’s cut and combed the tresses of everyone from Ann Margaret and Elvis to Sharon Tate and Elizabeth Taylor. And she did it all on roller skates (it was the 70s, people). But her high-flying life—which included three husbands and five children—was masking a crippling drug addiction which eventually left her curled up in the fetal position outside her dealer’s door. Now sober for multiple decades, White built her hairdressing business back up and published a best-selling memoir,  Upper Cut, about the entire thing.

White’s issue is a unique one: manipulative music in movies; we’re talking that big, Dolby echoing swell meant to make audience members cry, get scared or feel any one of hundreds of other emotions. On the surface—okay, the woman doesn’t like it when she’s distracted from her own emotional experience. Underneath that, however, is so much more—having to do with her childhood, trauma and  not being allowed to have her feelings about it.

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